Despite telling an oddball tale of a serial killer with a sexual attraction to cars, many praised the film’s incisive take on maternity, chosen family, and gender fluidity. Julia Ducournau: ‘The way losing your virginity is portrayed in most movies is very outdated’ The director of Raw discusses why her film is a bold expression of female sexuality. We’re at a car show, where everyone is in their expected place: Our protagonist, Alexia (Agathe Rousselle), writhes sensually atop the hood of a flame-streaked Cadillac, while men stand around, gawking in appreciation. Overall, Ducournau’s films are stomach-churning meditations on what it’s like to have a certain type of body, and raw is a pretty apt descriptor of it. Julia Ducournau’s revelatory film Titane begins by reminding us of the rules. She’s reluctant to call the technique empowerment, but agrees that for some viewers, there is much to be gained in exploring the battle. Trauma from a physically impaling car accident in childhood renders Agathe Rousselle’s. Once again plumbing the extremes of existence, sparks fly upon the collision of two characters each broken by the pains of their past. The movie caused something of a stir when it premiered on Tuesday, being described by the BBC as “the most shocking film of 2021” for its shocking depictions of sex, violence, and Cronenbergian body horror. Ducournau also tends to blend her visceral grotesqueries with moments that are sexually charged, with Justine experiencing her first orgasm as she eats part of her arm. Ducournau’s inventive use of extraordinary odditiesthe grotesque and the supernaturalto drive her female protagonists imparts a kind of glory to the pursuit of female strength. With Titane, Ducournau expands on the foundational elements of body horror and humanity established by 2016’s Raw. Awarding the top prize, the Palme d’Or, to the French filmmaker Julia Ducournau for the psychosexual noir thriller Titane, it served as the final award announced in a delightfully chaotic closing ceremony that saw Lee accidentally announce the winner early. Tonight, this year’s jury, led by Spike Lee, made an equally historic decision to cap off a bumper year. Yes, there have been plenty of showstopping red carpet moments to write home about-from Bella Hadid’s Schiaparelli golden lungs, to Isabelle Huppert’s razor-sharp Balenciaga gown, to Timothée Chalamet and Tilda Swinton’s budding friendship and complementary tailoring-but equally exciting has been the selection of films premiering, with many critics agreeing it was the festival’s most impressive (and most lurid) showing in years. Like your short film Junior, Raw (Grave) follows the moult of a young girl on. Hän myös kasvoi Pariisissa ja opiskeli käsikirjoittamista La Fémisissa, mistä hän valmistui vuonna 2008. Interview with the director Julia Ducournau. Over the past 11 days, the world’s attention has been firmly fixed on this year’s Cannes Film Festival. marraskuuta 1983 Pariisi) on ranskalainen elokuvaohjaaja ja -käsikirjoittaja, joka voitti vuonna 2021 toisella elokuvallansa Titane Cannesin elokuvajuhlien pääpalkinnon Kultaisen palmun. Career analysis Other filmmakers History of Cinema Cinema Home.
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